We are called to be architects of the future, not its victims
… we don’t try to predict the future, that’s really hard and not that productive. What we try to do instead is understand the materials of the future because if you understand the materials of the future you can help shape the future, and that’s way more important than trying to predict the future; building a best case scenario future that we believe in and building the world we want to live in, that’s what understanding the future is all about…
A pattern is emerging, one in which many in Western society are looking for a new religion, with various technologies as a means of escaping our current versions of Plato’s Cave. In this current era of The Fourth (or Fifth depending on your perspective) Industrial Revolution, the word technology has become synonymous with digital technology. However, if we examine the etymology of the word;‘technology’ … originates from “a discourse or treatise on an art or the arts,” from Greek tekhnologia “systematic treatment of an art, craft, or technique,”… then we can expand our perception of what constitutes a technology.Some are choosing quantum and digital technologies (computing), plant technologies (psychedelics, plant medicine), metaphysical technologies (sound vibrations, energy fields), theological technologies (religion, faith and belief systems) to explore and understand our own identities, our relationships with our environments and how we relate to and connect with others.If we choose to accept the above as a truism, then technology is a medium, art, craft or technique that helps us to explore and expand our curiosity, to play, to innovate, to solve problems and to create new stories and realities.What we are also seeing is that there is a greater merging of the exploration and use of these technologies and their traditionally associated characteristics. For example, emotion, empathy, intuition and consciousness introduced in the quest to see where quantum and digital technologies can (or should) take us. We already have many examples of this merging to tell impactful and stories from different perspectives.
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YouTube
Cyborg Shamanism with Adah Parris and Stephen Reid
Recorded live on 30th June 2020 https://www.facebook.com/events/1386929804841745/ https://dandelion.earth/events/5ee0c2858a8df4000aa35cea https://www.notion.so/stephenreid/Cyborg-Shamanism-b1ce43d2c03a4a7f93ad161652284fb8 The current COVID-19 pandemic has subverted the status quo. It has created a liminal space for us to examine and reflect on what was deemed ‘normal’. A space for us to reflect on our realities, our stories and the governing isms. Cyborg shamanism is a new -ism that explores what it means to be human and the power and impact of collective intelligence. From ancient and indigenous wisdom to natural systems and emerging technologies, cyborg shamanism could help us to shift the wider cultural and societal narrative. Ultimately it asks the question: what kind of ancestors do WE want to be? Adah Parris is a futurist, cultural strategist, artist and activist, and an enthusiastic curator of people, patterns and stories. In 2019, she was recognised as one of TED Talks Global Emerging Innovators. In 2018, she was recognised as one of the UK’s Top 100 Black and Minority Ethnic (BAME) Leaders in Technology. Adah takes a philosophical and anthropological approach to technology; merging logic and creativity to design immersive problem solving, learning and development environments. Her current interest lie in the anatomy of transformation and innovation, from ancient wisdom, natural systems and indigenous community practices to digital and emerging technologies. www.ism.earth / www.adahparris.com Stephen Reid is a transdisciplinary thinker, cultural changemaker and metamodern mystic who has trained in the fields of physics, complexity science, meditation, psychotherapy, plant medicine, sacred sexuality and political activism. He is currently a co-director of Dandelion Collective (the not-for-profit worker co-operative behind the Psychedelic Society, which he founded in 2014), the lead developer of dandelion.earth, and a contributor to Enspiral. stephenreid.net
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YouTube
Everything is a Remix (Original Series)
⭐️ MY NEW CREATIVITY COURSE: THE REMIX METHOD Get a FREE preview! ➧➧ https://www.everythingisaremix.info/the-remix-method ⭐️ GET AN EVERYTHING IS A REMIX T-SHIRT http://www.everythingisaremix.info/shop ⭐️ SUBSCRIBE TO MY MAILING LIST https://www.everythingisaremix.info/newsletter ⭐️ SITE http://www.everythingisaremix.info ⭐️ TIMESTAMPS 0:00 Part 1 - The Song Remains the Same 6:08 Part 2 - Remix Inc. 13:54 Part 3 - The Elements of Creativity 22:49 Part 4 - System Failure 35:41 - Outro #EverythingisaRemix #VideoEssay #Creativity
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Jane McGonigal on alternate-reality gaming - The New Yorker Conference
Jane McGonigal talks with Daniel Zalewski about alternate-reality gaming. Still haven’t subscribed to The New Yorker on YouTube? ►► http://bit.ly/newyorkeryoutubesub CONNECT WITH THE NEW YORKER Web: http://www.newyorker.com Twitter: http://twitter.com/NewYorker Facebook: http://www.facebook.com/newyorker Google+: http://plus.google.com/+newyorker Instagram: http://instagram.com/newyorkermag Pinterest: http://www.pinterest.com/thenewyorker Tumblr: http://newyorker.tumblr.com The Scene: http://thescene.com/thenewyorker Want even more? Subscribe to The Scene: http://bit.ly/subthescene Jane McGonigal on alternate-reality gaming - The New Yorker Conference
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Marshall McLuhan 1965 - The Future of Man in the Electric Age
This video was produced by the British Broad Corp in 1965. The interviewer is Frank Kermode (British literary critic). More information: One of the most charismatic, controversial and original thinkers of our time whose remarkable perception propelled him onto the international stage, Marshall McLuhan is universally regarded as the father of communications and media studies and prophet of the information age Biography McLuhan was still a twenty-year old undergraduate at the University of Manitoba, in western Canada, in the dirty thirties, when he wrote in his diary that he would never become an academic. He was learning in spite of his professors, but he would become a professor of English in spite of himself. After Manitoba, graduate work at Cambridge University planted the seed for McLuhan’s eventual move toward media analysis. Looking back on both his own Cambridge years and the longer history of the institution, he reflected that a principal aim of the faculty could be summarized as the training of perception, a phrase that aptly summarizes his own aim throughout his career. Portrait of Marshall McLuhan by Yousuf Karsh. Copyright the Estate of Yousuf Karsh, California. Portrait by Yousuf Karsh. Copyright the Estate of Yousuf Karsh, California. The shock that McLuhan experienced in his first teaching post propelled him toward media analysis. Though his students at the University of Wisconsin were his juniors by only five to eight years, he felt removed from them by a generation. He suspected that this had to do with ways of learning and set out to investigate it. The investigation led him back to lessons on the training of perception from his Cambridge professors, such as I.A. Richards (The Meaning of Meaning, Practical Criticism), and forward to discoveries from James Joyce, the symbolist poets, Ezra Pound; back to antiquity and the myth of Narcissus, forward to the mythic structure of modern Western culture dominated by electric technology. Understanding Media, first published in 1964, focuses on the media effects that permeate society and culture, but McLuhan’s starting point is always the individual, because he defines media as technological extensions of the body. As a result, McLuhan often puts his inquiry and his conclusions in terms of the ratio between the physical senses (the extent to which we depend on them relative to each other) and the consequences of modifications to that ratio. This invariably entails a psychological dimension. Thus, the invention of the alphabet and the resulting intensification of the visual sense in the communication process gave sight priority over hearing, but the effect was so powerful that it went beyond communication through language to reshape literate society’s conception and use of space. Understanding Media brought McLuhan to prominence in the same decade that celebrated flower power. San Francisco, the home of the summer of love, hosted the first McLuhan festival, featuring the man himself. The saying “God is dead” was much in vogue in the counterculture that quickly adopted McLuhan but missed the irony of giving a man of deep faith the status of an icon. Spectacular sales of Understanding Media, in hardback and then in paperback editions, and the San Francisco symposium brought him a steady stream of invitations for speaking engagements. He addressed countless groups, ranging from the American Marketing Association and the Container Corporation of America to AT&T and IBM. In March 1967, NBC aired “This is Marshall McLuhan” in its Experiment in TV series. He played on his own famous saying, publishing The Medium is the Massage (co-produced with Quentin Fiore and Jerome Agel), even as he was signing contracts for Culture Is Our Business and From Cliché to Archetype (with Canadian poet Wilfred Watson) with publishers in New York. Dozens of universities awarded McLuhan honorary degrees and he secured a Schweitzer Chair in the Humanities at Fordham University. – By Terrence Gordon (July 2002) Important links: McLuhan Galaxy: https://mcluhangalaxy.wordpress.com McLuhan on Maui: http://www.mcluhanonmaui.com McLuhan Estate: http://marshallmcluhan.com Blog: http://mcluhan.net Audio/Video: http://www.marshallmcluhanspeaks.com/